
钱松岩生于江苏宜兴,自幼学习传统诗书画,钱松岩画风早年受石溪、石涛影响颇深,但他不拘限于形似,而强调骨法用笔,喜用雄浑古拙之“颤笔”,自诩为“浑厚沉着”。钱松喦在六十岁后壮游祖国名山大川后锐意探索,巧妙地把传统技法和现实生活相结合,一批惊世骇俗之佳作跃然纸上,不仅形成了他自己独特的艺术风格,还为现代中国新山水闯出一条新路,并被誉为新金陵画派的重要代表。著名版画家赖少其说他是“寄热肠于清峻,既恬静而谨勤”。

深圳万世艺术征集到珍稀藏品,经万世艺术资深专家边复初老师鉴定为【 钱松岩 蜀道行旅图】,此画长:108cm,宽:59.5cm。钱松岩山水作品章法构图变化多端,色彩运用大胆独特。此图聚集了山树,人物,进行了细节的描绘。有了山的重峦叠嶂,树的重影烟雾缭绕的大气描绘。还有人群的细节,此画焦墨写枝干轮廓,线条沉郁,遒劲之状点画而出。松针繁密,笔法轻盈,细密处层层施墨,疏密处理恰到好处。山石藏于画面右侧烟雾之中,皴点而出,落墨平淡自然,再施以层层晕染,具有苍茫之感。画面深处一山与近处相呼应。画面下部城市秩次而出,白墙红瓦,富有生活气息,左下角粉红点缀出的梅花增添画面生气。整件作品笔墨浓淡变化丰富、物象交织融汇,线条纵横有序,近景、中景、远景层次清晰,显示其“承前启后,一代宗师”的艺术功力。
Shenzhen wanshi art collected rare collection, wan shi art senior expert bian fuchu teacher identified as [qian song yan shu road travel map], the painting length: 108cm, width: 59.5cm. Qian songyan landscape works zhang method composition changes, color use bold unique. This image is a collection of trees, people, and details. Mountains piled high, trees silhouetted the smoky atmosphere. There are also details of the crowd. This painting shows the outline of branches and branches in coke ink, with dark lines and strong strokes. Dense pine needles, light brushwork, fine layer by layer of ink, density treatment is just right. Mountain stone hidden in the smoke on the right side of the picture, from the chaps, ink flat natural, and then impose layers of dizzy catch, with a sense of vast. A mountain in the depth of the picture echoes the nearby area. The picture of the lower city rank out, white wall red tile, full of life, the lower left corner of the pink dotted plum to add life. The whole work is rich in changes in ink intensity, interweaving of objects and images, with orderly lines and clear levels of near, medium and long views, showing its artistic ability of "connecting the past and the future, a generation of masters".

钱松岩的画基本上表现出了中国传统的山水画如何反映社会主义时代精神的问题。新中国成立以后很多艺术家都有着发自内心的对共产党和新社会的热爱,但因为往往会陷入图解“为政治服务”口号的误区,作品也就缺少艺术感染力。可是钱松喦却很好地处理了政治与艺术的关系。